2016. Fabric and steel. Installation views with works by Hillary Weidemann and Rose Sexton, Slow Zoom, Fernwey Gallery, Chicago (exhibition essay “What can and doesn’t have to be” by Amanda L.S. DeGidio).
Steel, rubber, bamboo, wood, 2015
A series of sculptural gestures exploring ascendance, movement, and absurdist tools. Installation view, Sullivan Galleries, Chicago, IL
Unglazed porcelain modular brick system (installed in the city of Chicago mayor’s office in 2016).
Steel and bamboo, 2015
Collaboration with weaver Gulab Chand, Varanasi, India
Etched mirror and steel, 2015
A dialogue between two people, diagrammed. Reflection and projection conflate the two perspectives, things become difficult to separate.
...to be seduced, captivated, alienated by the phantom, so that the seer and the visible reciprocate one another and we know longer know which sees and which is seen. [Maurice Merleau-Ponty, The Intertwining - The Chiasm]
Wooden form studies made of collected offcuts. An exercise in generative form finding from the otherwise discarded.
Latex and steel, 2014
Iron and sugar, 2015
Synchronicity of oppositional materialities that share a strong poetic resonance. Found hand forged nails and candies found in Varanasi, India.
Installation of one hundred unglazed porcelain egg cups around protected nest of turtle’s eggs
Ox-Bow, Saugatuck, Michigan
June 2014